das langerwartete debüt-album der amerikanischen soul und r&b sängerin deva mahal erscheint am 23.03. und wurde von sir elton john bereits als fabelhaft bezeichnet. das verwundert auch nicht so wurde deva ihr enormes talent bereits in die waage gelegt ist doch niemand geringeres als taj mahal ihr vater. deva mahal hat in der vergangenheit bereits mit illustren künstlern wie tv on the radio, sharon jones & the dap kings als auch fat freddy’s drop gearbeitet und ist bei zahlreichen jazz festivals aufgetreten. als erste eigene vÖ erschien ende 2017 die ep “run deep”, die sich ad hoc in der renomierten new york times playlist wiederfand und den startschuss für ihre solo karriere bildete. das album wurde produziert von scott jacoby (vampire weekend, coldplay) und jarett wetherell (beyonce, fka twigs) und bietet einen einzigartigen sound der modernen r&b, pop, soul und gospel verbindet und dabei immer von der überragenden stimme deva mahals getragen wird. der ein oder andere song auf dem album würde auch einer adele gut zu gesicht stehen. die single snakes ist aktuell in der top 100 der deutschen airplay charts mit steigender tendenz!

exceptional return of l/f/d/m aka love’s flacid disco muscle on midnight shift, with a remix by nick dunton of 65d mavericks, resurfacing under his latest moniker d-56m. abrasive acidic trax from the edge.

.elliot.project. & open label boss frazer campbell marks his 40th birthday with a special double-vinyl release. in the course of the past two years, campbell s intriguing .elliot.project. label has already gained huge momentum in the electronic scene. following his recent collaboration on steve o sullivan s mosaic records, the label reaches it s sixth release with a double vinyl pack from campbell himself. he continues to paint beautiful musical illustrations, spanning global influences from detroit, icelandic electronica through to the initial aesthetic of uk dubstep. alongside campbell s originals, dred records label head john osborn, known for his peak time slick techno, provides a remix for raising snakes , illustrating both common ground and an alternative direction.

seth troxler’s play it say it label opens up 2018 with another release from the highly regarded ataxia, who serve up their third ep for the imprint. the detroit duo impressed with their previous outings on the label, the supertouch ep back in july 2017 and the acid ep in 2016. since then they have also released on leftroom and nervous and continued their eight year residency at prominent detroit venue tv lounge. their fresh take on motor city techno often comes with flashes of acid and makes cyber punks ted krisko and eric ricker one of the most interesting pairs in the game. opening up the essential ep is ‘quicksand’, an immediately arresting and busy electro track with real machine soul. the bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. it’s a macho cut with robust drums and is sure to win over any crowd. the fresh ‘hot snakes’ is a deep, menacing track with dark bass gurgling beneath the airy hi hats. frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore. last of all is the freakiest of the lot. the brilliant ‘texas is the reason’ has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. it’s a truly intense record for late in the night that is sure to become a big tune. this is an expressive and varied ep full of contemporary and innovative detroit house and techno sounds and marks another step in the ataxia story.

limited 100 vinyl pressure on this one from an undisclosed european producer who has been responsible for more than a few choice cuts over his 25 years of releasing records. burning up lights the dance floor by squeezing every last drop of energy out of just a few key elements, a modulating pulsing cross-rhythm bass snakes around driving disco beats with choice vocal samples adding the final bit of ear candy. minimal, a bit twisted, but hooky as hell. on the flip we have becoming cyclonic, a far deeper excursion where 808 toms dance around a repeating fretless bass melody. an immersive and euphoric melding of drum machines, synths and 12bit jazz-fusion samples, all being put through the sonic mincer and coming out like the proverbial gourmet sausage. yum!

philippe petit releases his debut ep on involve records, >rhino<. the belgian artist delivers a three-­&#8208,,,,cut weapon full of melodies and acid spirit. serious damage for the dancefloor in this exploration on the grooviest side of techno.

scissor & thread ramp up the heat with the debut release by virginias deep house don, dj aakmael. known for his infectious grooves and deep and intricate instrumentation for more than two decades, this four track ep is in no short supply of teased out, peak time, classic deep house. the titular track wastes no time on the a-side with its hard hitting kick and springy bass holding court, while a hypnotic serpentine synth snakes along. the a2, what iz deep house, is a lesson for those who dont know what true deep house is. woozy, edgy chords take the spotlight as a dissociated voice slurs, what is deep house? a relentlessly thick kick, along with sharp as razors hi-hats and snaps, throttle the track into peak time territory. on the flip, sands is an aquatic affair, with its reverb laden pads and piano chord stabs submerging the floor in pelagic atmosphere. the persistent, euphoric bassline bump effortlessly slides its hooks into the listeners ears before a celestial piano melody pierces through the depths. frank & tony take things even deeper with their late night breakaway dub, applying their signature bass line touch and hi-hat shuffle in what may be their best remix to date.

giant records 10th release is from new york born adam collins and limited to 150 hand stamped and numbered copies. adam is widely known for his work as one half of production duo omni am, along with marky star and counts derrick carter and evil eddie richards and a whole host of others, amongst their fans. adam’s release for giant is titled - day2day and has all the trademark’s of adam’s wonky, left of field, slightly off kilter grooves - day2day builds and snakes itself into a bottom bass heavy house jam - chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. the next cut is from the super talented carl finlow under carl’s random factor guise, a beauty in its own right ! super tight drums and a punchy random factor bassline take’s this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep’s it all swinging in carl’s trademark sound. the next mix is from la based producer mieka du franx. mieka’s mix strips the original down to the bare essentials and gives it a tuff minimal feel. the last mix is from echo of glory, which see’s echo take the track on a acid tinged work out - adding dubbed out vocals and super subbed out bass.

after more than 1 million album sold around the world, jay-jay johanson presents his 11th album.

great 80s album, classic

james bond - original motion picture soundtrack

originally released in 1979, now back on 180 gram double vinyl, housed in gatefold sleeve.

während malermeister ihr fachgebiet über ihr lebenswerk definieren, definieren kevin martin und dylan carlson aka the bug respektive earth ihr genre jeweils seit mehr als 20 jahren selbst. dabei verbindet sie ihre gemeinsames interesse fast schon die besessenheit für das extreme. sie begeben sich auf die suche, begutachten und brechen mit vorherrschenden grenzen zwischen dem schönen und unschönen, dem minimum und maximum, dem licht und der dunkelheit und machen dabei musik, die aufregender nicht sein könnte. earth und sein gründer dylan carlson, tauchten in den frühen neunzigern das erste mal mit ihrem sub pop release -earth 2- auf der bildfläche auf. mit langsamen, verzerrten, dumpfen und minimalistischen riffs war ihr debüt der entwurf dessen, was dylan zu dieser zeit mit ambient metal beschrieb, ein stil wie er auf seinem letzten southern lord release primitive and deadly weiter vorangetrieben wurde.
das doppelalbum (1x weiß, 1x grau marmoriertes vinyl) erscheint im klappcover, inklusive bonus-ep (rotes vinyl) und downloadcode.

after his acclaimed heatwave and shadows mixtapes, leonce releases insurgency on fade to mind, the first official ep from the young atlanta-based producer. insurgency was born from demos and sketches first recorded in 2014-2015, inspired by leonce’s favorite elements of house music and his desire to recraft these influences into his own club microverse. in leonce’s words: “if house is a feeling, then insurgency is me subverting that feeling across different tempo ranges and going into weirder and darker territory, like the classic raw house tracks that inspired me.”

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

limited lp & 7- pack from synth pop(?) giant, design a wave.... big sound on these cool electronic disco edged cuts.. hangman style design by cosmo knex - big tip! copenhagen based conceptual music act design a wave returns with ‘snakeface’, a document of surprise within the composition process. specifically, design a wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.

los angeles native, dyed in the wool hooligan zeroh gets loud, technical and strange all over again on his new ten track album tinnitus hnr65. organized noise was haphazardly strung together and embellished amongst 15+ hours of music in a dark smokey garage on little to no sleep. the severity of this raw bludgeoning echoes pain in the heads and ears of your typical everyman in an attempt to bring them to higher state of consciousness. zeroh emanates a low glowing light close to the chest. the one saving grace for this genius god awful cacophony. written and produced by zeroh additional vocals on gun metal by the koreatown oddity. harp & additional vocals on my beautiful new age nightmare by low leaf

33 offers the most fine and rare form of sensitivity. nery blends electronic and acoustic patterns as if they grew up together, proving that having differentiated influences can result in something particular.

deluxe reissue of the 2003 album by king geedorah aka mf doom. comes on red coloured double 12 inch vinyl with download code included.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

nice price deal !!! canyons story is one of intrigue and mystery, one that can be traced back to the nether valley in the outer regions of the western australian landscape. ryan grieve and leo thomson began making music separately, under various guises, before coming together as canyons.

dimdj has no control over his life. machines, records and noise boxes took over years ago. this is more than confirmed by this 5-track journey from acid techno to the old-school electro and further to kuno’s dystopia, who delivers a complete acidic rework over ptn1.

snakes are poor denizens of hell
have come surreptitioning
through the tall grass
to face the pool of clear frogs

nachdem der junge venezuelanische produzent durch produktionen für u.a. kanye west, fka twigs oder björk aufgefallen war und sein kantiges debütalbum *xen* von kritikern weltweit für seine sonderbaren und teils aggressiven widersprüche gefeiert wurde, handelt *mutant*, sein jüngstes album, von sinnlichkeit und spontaneität als möglichkeit einer flucht aus der starrheit der verhältnisse. das album feiert das chaos, mutationen, transformationsprozesse, zwischenzustände. deformation und zerstörung werden zu elementaren momenten von identität. das artwork stammt erneut von seinem freund und langzeit-kollaborateur jesse kanda.
das rote doppel-vinyl erscheint im 3teiligen klappcover inklusive downloadcode.

brooklyn based producer shows off his knack for rich grooves, & melodies that are intoxicating in nature. the drive, & atmosphere are what led deepblak’s aybee to his work, & these ingredients on display as they speak to the head, & the feet.

limitierte pressung auf weißem vinyl, downloadcode inklusive.
nach fünf jahren auszeit melden sich donte & main flow als mood auf dem französischen effiscienz label mit productionen von mil zurück. mood erlangten 1997 bekanntheit mit ihrem debütalbum *doom* mit produktion von dj hi-tek (reflection eternal / rawkus) und features von talib kweli. mood gehörte zum wanna battle kollektiv mit lone catalysts, five deez und anderen aus ohio.

after releasing the first two episodes isabel and helene, the landslide continues with -maysak-, the third installment of attic music hurricane series. here fabrizio lapiana returns with three melodic techno cuts, a mix of dark and calm vibes on the b-side, where a vibrant chord defines a melancholic atmosphere in -leading nowhere-. a corrosive bass line snakes the ground in the ambient-techno’s -water smoke-, a track that express the hypnotic and peaceful concept behind the series. a tangle of techno grooves, synth pattern and energy on the -lasnait- side

soul jazz records new sounds of the universe: art + sound 2012-15 is a new double album cd (and two separate volumes of double-vinyl) featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today. the limited edition double vinyl comes in gatefold sleeve with full artwork.

four youths are exploring unused buildings in a warehouse district when they stumble upon a lone wire running between the buildings. they follow along as it snakes between walls and under gates until they find it connected to a set of speakers.

mark broom aka the king of snakes returns with this killer cut on edit select. edit select himself steps up for a deep reworking of the original on the flipside.

the new pixies album as heavyweight 180 gram double vinyl in gatefold sleeve including cd.

in recent times soul notes tilted a little towards more groove driven, distortion ladenmachine funk. snx001 is the missing release out of the snx series thus far. label head honcho kastil joins up with cologne based adryiano, who is quickly becoming one of the labels favorite household names. the signature snx sounds is developing into a dark psych-oriented club sound which this ep represents as never before. the opening track *snakes and holes* is pure percussive machinery with the heaviest overdriven kickdrums you will ever hear. on the a2, adryiano sets the mood with a low swinging bass and some eardrum deafening kicks which progresses into the b1 which is perced out to the max with some 303 bassline drama and distortion to top that off. for the b2 track, head honcho kastil shows off some lo-fi drum action on controversy.
prewssing on 180 gram pink & white coloured vinyl.

one of chicagos most slept on remixers drops this 12 inch on tugboat edits featuring two of his best edits, unavailable anywhere until now: snakes and caveman. in 2013 he had releases on persnickety, grimy edits, and lumberjacks in hell and rocked it. hand stamped and numbered 12 inch.

young adults enters its sophomore year with an ever expanding bag of left coast body music. having released 12 inches from westward wonder kid suzanne kraft and a sampler ep that culled production heat from both the us and abroad, 2013 finds the house and disco hub digging deeper to keep speakers bumping and dance floors steamy. house slippers is an exploration of the night – sultry whispers, percolating elixirs, coos, croons, red lights, black lights, and strobe lights – all situated in downstairs speakeasies, lofted warehouses and hazy afterhours. the compilation soundtracks the progression from dusk till dawn, complete with warm up burners, peak time jammers and comedown chuggers. with contributions from permanent vacation, mark e, ben la desh and others, ya continues to curate its signature sound with like-minded party rockers.

baby ford signature sound for ugold series a: snakes and ladders: ..hypnotising extra-dry-style with a little floating reprise. getting better and better every time listening to it..again and again.... those vocals.. this hook.. and lots of space between. b. side: curfew spheric soundtrack for your own, personal... enlightenment.

so what is after the void ... we bang the bomb of course with a lady in a thong surrounded by snakes and hand grenades, obvious really! having been away for some time it appears that a light sounds dark spring is in the air. en route to their next destination (rumoured to be a dark subterranean world full of nasty mutants danger electrified tracks out this summer) with arms out the window and the mothership roof down, its full steam ahead and proper european dance music time. not really train spotting as before although a couple are a bit off piste like maltas very own ian dury by the name of iain richardson rapping about sitting on a green bus! much more like it however are classic italo covers of big in japan, gloria, a wonderful new wave version of falcos euro smash der kommissar and the thoughts massive german hit wait a long time sounding like some long lost talk talk record. light sounds dark do some minor tweaking (going for that natural look) to big beast anthems axodrys you and colme 111s you take me high (early euro take on chicago) and for lovers of something a bit more funky theres some groovy goings on from kraut funksters epsilon urging people to leave the city which might not be a bad idea if the water runs out.

next amazing thoughtless moover by stare5 aka bryan zentz with a huge remix of noah pred. known for his distinctive productions over the years as barada, cyan and under his own name on seminal techno labels such as primate, tronic, jericho, plus 8 and cmyk, bryan zentz reprises his stare5 role for thoughtless with three tracks of dub-fueled deepness. pushing ever outward on tides of subsonic bass, >the sprawl< emerges from cover of night, a vast expanse of sleepless chords illuminating the darkness as ripples of reverberant effects reach toward the stars. label boss noah pred adds another layer to the low end to imbue his remix with a swinging pulse, then intensifies the hypnosis with a sinuous synth that snakes its way through a winding labyrinth built from the materials of the original. >frozen fog< opens with cold yet insistent stabs that keep pace atop a bouncing dub bass line, responsive chords building pressure amidst gradually rising vapors. with equal nods to detroit and berlin, bryan zentz successfully presents his own unique vision of a classic form with >the sprawl< - solidifying his reputation as a master of the style in the process.

>see blind through< is the new single from sydney-based desert house outfit canyons. it follows on from their lovemore ep on their own hole in the sky records, the fire eyes 12 inch on nycs dfa records, blue snakes on paris i m a cliche records and the my rescue 12 inch on modular. >see blind through< is from their debut album keep your dreams, which is available now, and its a late, late night house mutant built on a swampy bassline and the heavily warped vocals of nite jewels ramona gonzalez. >the see blind through< 12 inch features the original track, heroes of the galleon trades sexican version and an almighty remix by the don himself - dj harvey.

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience!
all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits.

roskas fourth release for rinse – the jackpot ep – is a 3-track 12 inch. leading with the club and radio hit jackpot, the ep snakes its way through roskas current production sound — minimal, effective and built with one purpose in mind... battering the dancefloor. containing six tracks tried and tested by roska on his busy dj schedule and firm favourites on his weekly rinse fm show, this ep is not to be missed.
support from zinc, brackles, bok bok, ma1, mary anne hobbs, untold, t.williams, toddla t, redlight, annie mac, scratcha dva, pearson sound and roska himself.

supported by: italoboyz, josh wink, shinedoe, matt john, einzelkind, federico molinari, lauhaus, markus fix, ray okpara, karotte, djw!ld, robert dietz, nekes & many more

second 12 inch sampler from double cd compilation >moments of a crisis<.

die zwoelfte paradigma kuemmert sich ausnahmslos um die schnittstelle zwischen minimal und techtrance. diese bedient henry saiz ganz vorzueglich - mit spielwitz und komprimierten melodien

played by: dave clarc, kiko , oliver huntemann, chloé , da fresh, ascii disco, tom wax, martin eyerer, solee & codec… very direct and convincing lyrics which totally fits the music as it is an excellent track, both groovy and energetic. fat and heavy beat follow the dark order of miss beliayeva: >you better get your body on the floor< and if you dont, shell send the russian mafia. get it?:) andreas henneberg remix is a sharp minimal hit, perfect for a party highlight, while ginos and snakes touch totally recognizable brings a nice tech-house accent to the track. (elle k brown voice of citizen kain)

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

ltd backstock.. old school hypno techno

its showtime, everybody! youd better clear the decks for ginos & snakes circus ep! after their powerful releases on confused, the 2 french guys connected to the oxia & the hacker posse now proudly present to you some brandnew yet still burning club tracks! and while the trapeze keeps on swinging, the jolly clowns will take off their red noses and rock with us to circus and metro area! no question the ringmasters andreas henneberg & marquez ill will splash out with a king-sized remix! circus is fun! with hot support from: monoroom, oxia, the hacker, miss kittin, huntemann ...

aka phil kirian!! re-edits in a limited edition!! includes edits of klf, my bloody valentine, new order & bush tetra